The China Peasant Painting Village is an art colony located in Jinshan county on the outskirts of Shanghai, about two hours drive from the city centre. Set in verdant environments and modelled on a typical farming community complete with streams and ponds, vegetable patches, orchards, and traditional farming equipment, its main purpose is to showcase peasant paintings by farmers living in the surrounding farmlands and beyond.  Between sowing and harvesting, farmers do have time on their hands. What better past-time for the artistically inclined than to pick up a brush and share the beauty of pastoral life with the urbanites outside. Scenes of daily life, fruit harvesting, festivals, farm animals and other rural subjects are depicted with simplicity of execution and vibrant colours in marked contrast to the ink and wash style of classical Chinese painting. The medium of choice is gouache (or poster colour) on paper though other media like oil and acrylic are gaining ground. At

Located in People’s Square, the Shanghai Urban Planning Exhibition Centre offers you a peek into the Shanghai of yesterday, today and tomorrow, spread over several floors. On the lobby level there is usually a themed display to draw you in.  The main exhibit located on level 3 is a mammoth scale model of the city giving you a bird’s eye view of the existing structures and those planned or under development. Other attractions showcase the city’s history with photos, drawings and multimedia shows. To top it all there is a presentation of the future Shanghai using 3D simulation for an exhilarating flythrough of the city projected on a 360 degree cyclorama screen around the viewing platform. It is so heady you might want to grab the railings provided.  The Shanghai Urban Planning Exhibition Centre with its distinctive roof structure.   A feature display in the lobby atrium. The scale model of the city. Closeup view of the Pudong area with its skyscrape

After achieving healthy bottom-lines, corporations, institutions and individuals have turned their attention to burnishing their image by sponsoring projects of artistic merit in the public space, augmenting those undertaken by the state. Modest or mega in scale, for self-glorification or out of social consciousness, public art is good for business because it gives back to the community that sustains it in a virtuous circle. Sundial on Century Avenue en route to the Science & Technology Museum The writing’s on the wall Henry Moore inspired chrome-finished statue at Thumb Plaza Elephant statue on a coiled trunk Stone slugs and snails at the entrance to Xintiandi Style Abstract expressionist sculpture near a highway flyover Female form balancing on a sphere Fluid metal sculpture outside the Shanghai Library, suggesting  perhaps , freeing your mind with books This statue  in a city park  pays  homage to playwright-poet   Tian Han,  

The Shanghai Maglev Train runs between the Pudong International Airport and the Longyang Road Station on the outskirts of Shanghai city where you can connect to the metro subway and the bus networks. This is an exhilarating ride on magnetic levitation at speeds between 300 to 430 kmph depending on time of day. Gliding on air, you might be tempted to close your eyes in repose, but you’ll be wasting a chance to catch some high-speed sightseeing out of town. The spacious station Striking architecture bathed in natural light The train on the platform Ready for boarding Airline style interior Leaving the the Longyang Station... past factories and homes... under power lines… across rivers... over highways… under and over highways... past farms and quaint villages… till you arrive at the Airport, all in six minutes.

The Longhua Temple with its landmark Pagoda is Shanghai’s oldest temple, first erected in 242 AD, back in the Three Kingdoms era well over 1700 years ago. Due to its long history and the ravages of war and decay, the temple was rebuilt several times, and much of the surviving buildings were reworked during the Qing dynasty, and again restored in recent decades. The Pagoda is one of seven originally built to house sacred Buddhist relics acquired by Sun Quan, King of Wu, one of the Three Kingdoms, so the legend goes. It stands in front of the original temple entrance gateway and comprises seven octagonal storeys tapering to a height of over 40m. The seven tiers of wooden floors and balconies, each with tiled curved eaves, are built around a central brick core which is about the oldest part of the whole temple.  The Longhua temple complex is located on Longhua Road and its grounds sprawl over 20,000 sq. m. It is dedicated to the Meitreya Buddha and constructed in the Song Dyn